Let’s have a change of pace. This week, you’ll be listening to something brand new.
Bryce Dessner is the guitarist from The National (the band, not the newscast), a group that I think you and I have about equal experience with — that is, not much. However, Dessner has been on my radar for a while in his other capacity as a composer. He’s written music for the Kronos Quartet, Bang on a Can, and even the LA Phil. Nothing I’d heard of his really hit home — until this past May.
Music for Wood and Strings is a 35-minute composition for the New York percussion quartet Sō Percussion. Sō is a group with a similar spirit to our old friends Brooklyn Rider. They fall broadly under that nebulous umbrella of ‘art music’ — they’re a bunch of Yale grads — but they’ve got a sense of adventure and a penchant for working with composers on developing new repertoire. (I’m especially fond of their recording with Canadian composer Nicole Lizée.)
This collaboration with Dessner has the added dimension of being written for entirely new instruments. Dessner and the instrument maker Aaron Sanchez (from the DIY pop duo Buke and Gase) designed a contraption that they’ve creatively named the ‘chord stick.’ It’s kind of like an amplified hammered dulcimer that you’re meant to approach much more as a percussionist would than a guitarist. Sō strikes their four chord sticks with everything from drum brushes to the pink erasers at the ends of lead pencils.
I’m not going to say a whole lot more, because I’m still processing this music myself. I have to say, though: a few listens in, I’m totally sold. This is the best new music I’ve heard all year. You’ll recognize a distinct influence from minimalism, but composers of Dessner’s relatively recent vintage tend to use the innovations of people like Steve Reich and Michael Nyman as one ingredient in a more complex stew.
I think you’re going to like this. I’ve already recommended it to a few people, and I’ve only had positive responses. I wonder how your first impression will compare to mine?